The Temporary Society of Authorial Illustrators is a group of recent graduates and current students of University College Falmouth’s Illustration: Authorial Practice MA. The ethos of this course is to encourage students to identify and explore new contexts for the culture of illustration. This openness to novel forms and ideas with regards to illustration is reflected in the diversity of stylistic and ideological concerns of the collective concerns, which often lie outside of the conventional boundaries ascribed to commercial illustration. Within our group artists are producing abstract images, making installations from their images, using images to tell oblique narratives, and experimenting with improvised drawing on a massive scale. What unites all these diverse practitioners is a shared sense of excitement at the possibilities for new forms for illustration to take and new contexts for it to exist in. As a collective we have a shared interest in the conscious employment of creative process. Constraints and games are used as an aid to creativity; they are often used in the form of creative collaborations between members of the collective. These activities range from improvisation to parlour games, sometimes developing into more complex and deliberate devices taking influence from diverse sources. These include the Oulipo movement, Luke Reinhart’s Dice Man experiments and Brian Eno’s Oblique Strategies. The latter have been used for more elaborate collaborations resulting in some surprising, occasionally baffling, but always interesting results.
The Alternative Fresher’s Fair went very well, we sold some work, networked and held the very first CAT DISCO which was a great way of getting people interested and involved.
‘He was as tall as a 6 foot 3 inch tree’ – Jack Bross.
John spends a great deal of time worrying about consciousness, the absurd and why we seem to find it all so funny. The rest of the time he spends drawing pictures, cutting things out and sticking things together. Occasionally he does all of these things at the same time, which makes him laugh, almost uncontrollably and sometimes for several hours.
John finds it useful to engage with formal practice and structures such as typography, screen printing, paper engineering and prose as these create a playground for his expressive and cartoonish tendencies whilst preventing them from running wild and possibly getting into trouble. In the event that these tendencies do escape it can be a long and tedious expedition to get them all back in the pen with the door firmly shut.